(Xchange) 48 hour live webcast ... starting now!!
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Subject |
(Xchange) 48 hour live webcast ... starting now!! |
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From |
"William Rowe" <will@xxxxxxxxxxxxx> |
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Date |
Fri, 8 Oct 1999 18:00:03 +0100 |
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<DIV><FONT color=#000000 face="" size=2>48 Hours [<FONT color=#000000 face=""
size=2><A href="http://www.48hours.org.uk]";>http://www.48hours.org.uk]</A>
</FONT>curated by Melanie Keen</FONT></DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>live webcast: <A
href="http://www.48hours.org.uk/webcast.ram";>http://www.48hours.org.uk/webcast.ram</A></FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT><FONT size=2>live webcam: <A
href="http://www.48hours.org.uk/webcam_live.html";>http://www.48hours.org.uk/webcam_live.html</A></FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>8 - 10 October 1999<BR>Project Room:
14 October - 13 November <BR>open Wednesday - Saturday 12 - 6pm</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Jacqueline Donachie, Mary Evans, muf
Architecture/Art (Katherine Clarke and Ashley McCormick), Jessica Voorsanger and
Tomoko Takahashi and Ella Gibbs. </FONT><FONT color=#000000 face="" size=2>In 48
hours anything can happen and most probably will ...</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Home to various projects - some
permanent, some temporary - the Tabernacle is a multi-purpose centre that hosts
regular events and activities. '48 Hours' brings seven artists to the Tabernacle
to make new commissions based on collaboration with the people who use
it.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Within the Tabernacle lies a performance
space, technology room, bar, cafe, music and dance studios and the gallery,
Tablet. '48 Hours' has been initiated by a period of collaboration between the
artists and the building's users, and culminates in a weekend of events.
</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>The three month period of dialogue has
been founded on long-distance communication, an exchange of labour and expertise
and social interaction. Personal and professional relationships have borne new
artworks and new experiences. '48 Hours' launches a weekend of activity that
brings into focus the results of this period that has shaped the form and
content of the work.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>'48 Hours' is a non-stop, participatory
marathon that does eventually stop; a moment gone but resonant. A live webcast
will relay the events of the weekend beyond the confines of the
Tabernacle.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>At the end of the weekend, 48 hours will
be contained, the memories stored and re-activated in the 48 hours project
room. Acting as a studio, office, archive, internet cafe, drop-in centre, it
will be open to allow access to information about the collaborations as well as
residual matter from the project.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>48 Hours runs continuously from 6pm
Friday 8 October to 6pm Sunday 10 October 1999</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>Events</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Opening 6 - 8pm Friday 8
October<BR>Sunday 10 October<BR>3pm 'Karate Heroes' performance by Kids Karate
Kids Group with Jessica Voorsanger.<BR>4pm 'Home Improvements' launch of
publication by Jacqueline Donachie and Jude Thomas.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Saturday 16 October <BR>3pm Gallery
talk: artists and collaborators talk about their 48 Hour experience .<BR>4pm
'The Area of Patience' prize-giving ceremony with Tomoko Takahashi and Ella
Gibbs.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>'48 Hours' has been financially
supported by the Arts Council of England and London Arts Board.<BR>Tablet is
funded by Peter Simon.<BR>The launch is supported by Kirin Beer.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>New Commissions for '48 Hours' and
artists' details:</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>Home Improvements, 1999. Jacqueline
Donachie (Publication)</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Having never met, Jacqueline
Donachie and Jude Thomas, a yoga instructor, are communicating long-distance
like fax and 'phone 'pen-pals', each exchanging skills and sharing information
about their respective lives. The results of their dialogue will be captured in
a publication to be produced at the the Tabernacle over the 48 hours.
</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Artists' books form an important part of
Jacqueline Donachie's work, revealing her fascination with memory and the
triggers that ignite a particular sensation or mood. These memories are often
rooted in very personal contexts and an acute observation of the world around
her.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>Thank You For Coming, 1999. Mary Evans
(Installation)</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Even when decorations are very
lavish they nevertheless retain an element of the ordinary and mundane. In
decorating the Good Cook Bar and Cafe, Mary Evans becomes the
artist-in-residence to focus on the importance attached to <BR>decoration,
ornament and atmosphere in the preparation of a place for a special
event.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Mary Evans' paper cut-outs represent
symbols to decode the 'culture' of a space. Often site-specific, her
installations are based on a fragment of historical, architectural or social
interest. Paper is used for its temporal qualities as she makes links between
the imagery, it's execution and space it occupies.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>741mph, 1999. muf Architecture/Art
(Audio Visual projection)</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Turning Tablet inside-out, the
neighbourhood skyline is relayed into the gallery. The profile between the sky
and the rooftops is audible as a musical refrain composed by Tony Thomas (Beat
Dis Arts). As vistitors articulate their feelings and concerns for the
surrounding environment they are able to re-compose this refrain, disrupting the
profile of the neighbourhood.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>muf Architecture/Art undertake a range
of intervention-based work as well as architectural commissions. Their working
metho enables the groups of people they work with to lead the outcome, and
ultimately become part of the work.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>The Area of Patience, 1999. Tomoko
Takahashi & Ella Gibbs (Event)</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Tomoko Takahashi & Ella Gibbs
invite you to play 48-hour patience. No experience necessary as they and
Tabernacle instructors help you play. 'Patience is perhaps the ultimate
game...win or lose you'll be in good company.' (Collins Gem Patience Card Games,
1996.) A limited edition artist's book will be available.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Tomoko Takahashi, working here with Ella
Gibbs, has collected over 50 ways of playing Patience in her travels over the
last six months. Continuing her interest in systems of order and the structures
created by chance, this performative work compliments her sculptural work where
chaos becomes an orchestrated harmony.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT color=#000000 face="" size=2>Karate Heroes, 1999. Jessica Voorsanger
(Video and Performance)</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>Jessica Voorsanger invites the kids
from the karate class to pay homage to their karate heroes. They will recreate
the moves made famous by their karate heroes, performing their display live -
'choreographed' by Natalie Shirlaw, their instructor and Jessica Voorsanger, the
kids' heroes, including members of the UK karate team, are invited to
attend.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT color=#000000 face="" size=2>Jessica Voorsanger's work explores the
cult of celebrity and how people are intrinsic to its construction. Using a
range of mediums, she conveys what it means to be a fan.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2><BR>The artists' work will be
re-animated on the web, creating pages that will form part of a larger 'archive'
site.</FONT></DIV>
<DIV><FONT color=#000000 face="" size=2></FONT> </DIV>
<DIV><FONT size=2>Webcasting servcies provided by:</FONT></DIV>
<DIV><FONT size=2>Protein [<A
href="http://www.protein.co.uk]";>www.protein.co.uk]</A></FONT></DIV>
<DIV><FONT size=2>Artec [www.artec.org.uk]</FONT></DIV></BODY></HTML>
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From: Vrije Keyser <keyser@xxxxxxxxx>
To: xchange@xxxxxxxxxx
Cc: squatter@xxxxxx
Subject: (Xchange) live music from ASCII-internet workshop in Amsterdam tonight
Date: Sat, 09 Oct 1999 19:20:42 +0200
Organization: radio de Vrije Keyser
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Jorrit Dijkstra Solo
alt saxophone and electronics
live from ASCII internet Workshop
Herengracht 243 Amsterdam
21.30 - 24.00 Amsterdam Time
loops beeps blips lirps bloops lurps burps leaps bups lips bips blirps
lisps
realstream will be on:
pnm://encoder.xs4all.nl/ascii.rm
and something clickable on:
www.squat.net/ascii
ASCII is an internet workshop in an Amsterdam squat. Several
linux-powered terminals provide visitors, freaks and revolutionaries
with free internet acces. ASCII might be evicted within a couple of
weeks.
Jorrit Dijkstra plays "A very nice mix of post Trane/Jimmy Lions sax
and electronic processing -effectively mixing jazz, techno and ambient
soundscapes. The fusion of styles is effective because jorrit keeps
his jazz at full strenght- the electronics (sax processed with a
simple set of electronic effects, mainly a delay/looping device and an
analog filter) layers with the jazz without in any way diluting it."
(Emile Tobenfeld [Dr.T})
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