(Xchange) <<DOUGLAS DAVIS>> at FUN, Saturday March 10 (10pm)**

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Subject	(Xchange) <<DOUGLAS DAVIS>> at FUN, Saturday March 10 (10pm)**
From	Crisarc2000@xxxxxx
Date	Mon, 5 Mar 2001 21:15:55 EST
 
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<center><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>*For
Immediate Release*</font></font></font></b></center>

<blockquote>
<center><font face="Times New Roman,Times"><font color="#666666"><font size=+4>"AN
EVENING WITH</font></font></font>
<br><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+4>DOUGLAS
DAVIS"</font></font></font>
<br><img SRC="http://www.eai.org/catalogue/images/artists/davis.gif"; NOSAVE height=110 width=140 align=CENTER>
<br><font face="Times New Roman,Times"><font color="#FFCC33"><font size=+4>*Saturday,
March 10 (10PM)*</font></font></font>
<br><font face="Times New Roman,Times"><font size=+4><font color="#666666">at:
</font><font color="#33CCFF">FUN</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666"><font size=+4>(130
Madison Street -- Under the Manhattan Bridge, New York)</font></font></font>
<p><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>Organised
by:</font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.tribes.org/dystopia";>Cristine
Wang</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>(New
Media Arts Curator)</font></font></font></b>
<p><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>Sponsored
by:</font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.nyartsmagazine.com";>NY
Arts Magazine</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.eai.org";>Electronic
Arts Intermix</a></font></font></font></b></center>
</blockquote>
<font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<br><font size=+1>VIDEO SCREENINGS:</font>
<p><font size=+2>"A Conversation"</font>
<br><font size=+2>by Joseph Beuys, Douglas Davis, and Nam June Paik</font>
<br>1974, 34 min, b&amp;w.
<p>This historical tape, documents a conversation among artists Joseph
Beuys, Douglas Davis and Nam June Paik at Ronald Feldman Fine Arts in New
York in 1974. During the discussion, they introduce the theme of the potential
for artists' use of satellite technology.
<p>With: Joseph Beuys, Douglas Davis, Nam June Paik. Videotaped by Bill
Viola.
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font size=+2>"Post-Video"</font>
<br><font size=+2>by Douglas Davis</font>
<br>1981, 29:06 min, b&amp;w and color.
<p>Post-Video is an anthology of Douglas Davis' works from 1976 - 1980,
with commentary by John Hanhardt (ex-Curator of Film/Video, Whitney Museum,
NY): Davis' work centers on "the appropriation of satellite communication
technologies to create aesthetic texts," as well as the artistic exploration
of "the true communication potential and resources of global communication."
<p>Excerpts include:
<br><font size=+2>"Seven Thoughts"</font> (1976), a satellite radio piece
in the Houston Astrodome;
<br><font size=+2>"The Last Nine Minutes"</font> (1977), a satellite performance
in which Davis attempts to break down the barrier between artist and viewer;
<br><font size=+2>"How to Make Love to Your Television Set"</font> (1979),
an interactive performance piece;
<br><font size=+2>"Four Places Two Figures One Ghost"</font> (1977), in
which two performances were created simultaneously for telecast and for
the Whitney Museum; and two films,
<br><font size=+2>"Silver Screen"</font> (1979)
<br><font size=+2>"Post Modern Times"</font> (1980).
<p>Commentary: John Hanhardt. Editor: Jody O'Brien. Produced by Electronic
Arts Intermix.
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+2>"M&eacute;nage
&agrave; Trois"</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666"><font size=+2>by
Douglas Davis</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666">1986, 59:45
min, color.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">M&eacute;nage
&agrave; Trois was a live satellite and radio performance linking the Guggenheim
Museum (New York), Stedelijk Museum (Amsterdam), and the Venice Biennale.
With live satellite technology allowing narrative simultaneity + juxtaposition,
this work examines the role of the viewer in television culture + that
of the video camera as witness. Three phone-in "witnesses" debate guilt,
innocence, and the concept of the "reader" -- in this case, viewer -- as
murderer. Following the telecast, the international audience participated
in a live broadcast on National Public Radio, which addressed technology's
mediating effect on public and private morality.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Director: John
Chiappardi. With: Douglas Davis, Giuseppe Assero, Marco Cavalli, Moniek
Toebosch. Produced by PBS, RAI-TV and VPRO-TV. In Italian and English.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>Please
join us for an evening with artist, theorist, critic, teacher + writer,
</font><font size=+2>DOUGLAS
DAVIS</font><font size=+1>, who has played an active role in contemporary
art since the 1960's.&nbsp; A pioneer of video in the 1970's, his </font><font size=+2>"live"
satellite performance/video</font><font size=+1> pieces are seminal exercises
in the use of </font><font size=+2>interactive technology</font><font size=+1>
as a medium for art + communications.&nbsp; In 1977 he joined with </font><font size=+2>Nam
June Paik</font><font size=+1> + </font><font size=+2>Joseph Beuys</font><font size=+1>
for </font><font size=+2>the first live international satellite telecast
by artists</font><font size=+1>, transmitted from </font><font size=+2>Documenta
6 </font><font size=+1>in Kassel, West Germany.&nbsp; Davis' pioneering
work with interactivity has evolved with new technologies. His ongoing
interactive project for the World Wide Web, entitled </font><font size=+2>The
World's First Collaborative Sentenc</font><font size=+1>e, was commissioned
by the Lehman College/CUNY Art Gallery and is in the collection of the
</font><font size=+2>Whitney
Museum of American Art, New York</font><font size=+1>.&nbsp; His most recent
web-based projects include Terrible Beauty and Moralpornography.</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666">As an artist/performer,
Davis confronts the anonymity and passivity of television production and
reception, establishing an intimate, interactive dialogue with the viewer
as a forum for intellectual and moral debate. Articulating his approach
to video, Davis writes: "Television is usually considered a public medium,
but because of the way it is experienced -- in a personal space -- it is
in fact quite private. When I began to work overtly with the medium, I
acted out of the same sense of intimacy, this time on the other side of
the screen."</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">The author
of several books, including Artculture: Essays on the Post-Modern (1977)
and The Museum Impossible: Architecture and Culture in the Post-Pompidou
Era (1990), Davis was architecture and photography critic for Newsweek
magazine from 1969 to 1988.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Davis was born
in 1933. He received a B.A. from American University and an M.A. from Rutgers
University. He is the recipient of numerous awards, including fellowships
from the National Endowment for the Arts, the Rockefeller Foundation, and
the Deutscher Akademischer Austauschdienst (D.A.A.D.); he has been artist-in-residence
at the TV Lab at WNET/Thirteen, New York.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Davis' work
has been seen in solo shows at the Centre Georges Pompidou, Paris; Metropolitan
Museum, New York; Everson Museum of Art, Syracuse; and The Kitchen, New
York, among other institutions. His work has also been exhibited at festivals
and institutions including the Venice Biennale; The Museum of Modern Art,
New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Whitney
Museum of American Art, New York; Kolnischer Kunstverein, Cologne; and
the Solomon R. Guggenheim Museum, New York.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Douglas Davis
lives and works in New York, and is currently readying himself for several
global network theater projects linking cities around the world.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<center><font face="Times New Roman,Times"><font color="#666666"><font size=+1>for
more info contact:</font></font></font></center>

<blockquote>
<blockquote>
<center><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:cristinewang@xxxxxxxxx";>Cristine
Wang</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:dd@xxxxxxxxxxx";>Douglas
Davis</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:Nyartsmaga@xxxxxxx";>NY
Arts Magazine</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:lzippay@xxxxxxx";>Electronic
Arts Intermix</a></font></font></font></b></center>
</blockquote>
</blockquote>
<font face="Times New Roman,Times"><font color="#666666"><font size=+1>+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<center><font size=+2>FUN is located at 130 Madison Street,</font>
<br><font size=+2>under the Manhattan Bridge, New York</font>
<br><font size=+2>F train to East Broadway</font>
<br><font size=+2>(Tel: 212-964-0303)</font></center>

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From: Crisarc2000@xxxxxx
Message-ID: <7f.110b119e.27d5a25b@xxxxxx>
Date: Mon, 5 Mar 2001 21:15:55 EST
Subject: (Xchange) <<DOUGLAS DAVIS>> at FUN, Saturday March 10 (10pm)**
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<body text="#666666" bgcolor="#FFFFFF" link="#33CCFF" vlink="#FFCC33" alink="#FFCC33">

<center><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>*For
Immediate Release*</font></font></font></b></center>

<blockquote>
<center><font face="Times New Roman,Times"><font color="#666666"><font size=+4>"AN
EVENING WITH</font></font></font>
<br><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+4>DOUGLAS
DAVIS"</font></font></font>
<br><img SRC="http://www.eai.org/catalogue/images/artists/davis.gif"; NOSAVE height=110 width=140 align=CENTER>
<br><font face="Times New Roman,Times"><font color="#FFCC33"><font size=+4>*Saturday,
March 10 (10PM)*</font></font></font>
<br><font face="Times New Roman,Times"><font size=+4><font color="#666666">at:
</font><font color="#33CCFF">FUN</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666"><font size=+4>(130
Madison Street -- Under the Manhattan Bridge, New York)</font></font></font>
<p><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>Organised
by:</font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.tribes.org/dystopia";>Cristine
Wang</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>(New
Media Arts Curator)</font></font></font></b>
<p><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2>Sponsored
by:</font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.nyartsmagazine.com";>NY
Arts Magazine</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="http://www.eai.org";>Electronic
Arts Intermix</a></font></font></font></b></center>
</blockquote>
<font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<br><font size=+1>VIDEO SCREENINGS:</font>
<p><font size=+2>"A Conversation"</font>
<br><font size=+2>by Joseph Beuys, Douglas Davis, and Nam June Paik</font>
<br>1974, 34 min, b&amp;w.
<p>This historical tape, documents a conversation among artists Joseph
Beuys, Douglas Davis and Nam June Paik at Ronald Feldman Fine Arts in New
York in 1974. During the discussion, they introduce the theme of the potential
for artists' use of satellite technology.
<p>With: Joseph Beuys, Douglas Davis, Nam June Paik. Videotaped by Bill
Viola.
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font size=+2>"Post-Video"</font>
<br><font size=+2>by Douglas Davis</font>
<br>1981, 29:06 min, b&amp;w and color.
<p>Post-Video is an anthology of Douglas Davis' works from 1976 - 1980,
with commentary by John Hanhardt (ex-Curator of Film/Video, Whitney Museum,
NY): Davis' work centers on "the appropriation of satellite communication
technologies to create aesthetic texts," as well as the artistic exploration
of "the true communication potential and resources of global communication."
<p>Excerpts include:
<br><font size=+2>"Seven Thoughts"</font> (1976), a satellite radio piece
in the Houston Astrodome;
<br><font size=+2>"The Last Nine Minutes"</font> (1977), a satellite performance
in which Davis attempts to break down the barrier between artist and viewer;
<br><font size=+2>"How to Make Love to Your Television Set"</font> (1979),
an interactive performance piece;
<br><font size=+2>"Four Places Two Figures One Ghost"</font> (1977), in
which two performances were created simultaneously for telecast and for
the Whitney Museum; and two films,
<br><font size=+2>"Silver Screen"</font> (1979)
<br><font size=+2>"Post Modern Times"</font> (1980).
<p>Commentary: John Hanhardt. Editor: Jody O'Brien. Produced by Electronic
Arts Intermix.
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+2>"M&eacute;nage
&agrave; Trois"</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666"><font size=+2>by
Douglas Davis</font></font></font>
<br><font face="Times New Roman,Times"><font color="#666666">1986, 59:45
min, color.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">M&eacute;nage
&agrave; Trois was a live satellite and radio performance linking the Guggenheim
Museum (New York), Stedelijk Museum (Amsterdam), and the Venice Biennale.
With live satellite technology allowing narrative simultaneity + juxtaposition,
this work examines the role of the viewer in television culture + that
of the video camera as witness. Three phone-in "witnesses" debate guilt,
innocence, and the concept of the "reader" -- in this case, viewer -- as
murderer. Following the telecast, the international audience participated
in a live broadcast on National Public Radio, which addressed technology's
mediating effect on public and private morality.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Director: John
Chiappardi. With: Douglas Davis, Giuseppe Assero, Marco Cavalli, Moniek
Toebosch. Produced by PBS, RAI-TV and VPRO-TV. In Italian and English.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>Please
join us for an evening with artist, theorist, critic, teacher + writer,
</font><font size=+2>DOUGLAS
DAVIS</font><font size=+1>, who has played an active role in contemporary
art since the 1960's.&nbsp; A pioneer of video in the 1970's, his </font><font size=+2>"live"
satellite performance/video</font><font size=+1> pieces are seminal exercises
in the use of </font><font size=+2>interactive technology</font><font size=+1>
as a medium for art + communications.&nbsp; In 1977 he joined with </font><font size=+2>Nam
June Paik</font><font size=+1> + </font><font size=+2>Joseph Beuys</font><font size=+1>
for </font><font size=+2>the first live international satellite telecast
by artists</font><font size=+1>, transmitted from </font><font size=+2>Documenta
6 </font><font size=+1>in Kassel, West Germany.&nbsp; Davis' pioneering
work with interactivity has evolved with new technologies. His ongoing
interactive project for the World Wide Web, entitled </font><font size=+2>The
World's First Collaborative Sentenc</font><font size=+1>e, was commissioned
by the Lehman College/CUNY Art Gallery and is in the collection of the
</font><font size=+2>Whitney
Museum of American Art, New York</font><font size=+1>.&nbsp; His most recent
web-based projects include Terrible Beauty and Moralpornography.</font></font></font>
<p><font face="Times New Roman,Times"><font color="#666666">As an artist/performer,
Davis confronts the anonymity and passivity of television production and
reception, establishing an intimate, interactive dialogue with the viewer
as a forum for intellectual and moral debate. Articulating his approach
to video, Davis writes: "Television is usually considered a public medium,
but because of the way it is experienced -- in a personal space -- it is
in fact quite private. When I began to work overtly with the medium, I
acted out of the same sense of intimacy, this time on the other side of
the screen."</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">The author
of several books, including Artculture: Essays on the Post-Modern (1977)
and The Museum Impossible: Architecture and Culture in the Post-Pompidou
Era (1990), Davis was architecture and photography critic for Newsweek
magazine from 1969 to 1988.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Davis was born
in 1933. He received a B.A. from American University and an M.A. from Rutgers
University. He is the recipient of numerous awards, including fellowships
from the National Endowment for the Arts, the Rockefeller Foundation, and
the Deutscher Akademischer Austauschdienst (D.A.A.D.); he has been artist-in-residence
at the TV Lab at WNET/Thirteen, New York.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Davis' work
has been seen in solo shows at the Centre Georges Pompidou, Paris; Metropolitan
Museum, New York; Everson Museum of Art, Syracuse; and The Kitchen, New
York, among other institutions. His work has also been exhibited at festivals
and institutions including the Venice Biennale; The Museum of Modern Art,
New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Whitney
Museum of American Art, New York; Kolnischer Kunstverein, Cologne; and
the Solomon R. Guggenheim Museum, New York.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666">Douglas Davis
lives and works in New York, and is currently readying himself for several
global network theater projects linking cities around the world.</font></font>
<p><font face="Times New Roman,Times"><font color="#666666"><font size=+1>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<center><font face="Times New Roman,Times"><font color="#666666"><font size=+1>for
more info contact:</font></font></font></center>

<blockquote>
<blockquote>
<center><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:cristinewang@xxxxxxxxx";>Cristine
Wang</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:dd@xxxxxxxxxxx";>Douglas
Davis</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:Nyartsmaga@xxxxxxx";>NY
Arts Magazine</a></font></font></font></b>
<br><b><font face="Times New Roman,Times"><font color="#33CCFF"><font size=+2><a href="mailto:lzippay@xxxxxxx";>Electronic
Arts Intermix</a></font></font></font></b></center>
</blockquote>
</blockquote>
<font face="Times New Roman,Times"><font color="#666666"><font size=+1>+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++</font></font></font>
<center><font size=+2>FUN is located at 130 Madison Street,</font>
<br><font size=+2>under the Manhattan Bridge, New York</font>
<br><font size=+2>F train to East Broadway</font>
<br><font size=+2>(Tel: 212-964-0303)</font></center>

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Date: Mon, 05 Mar 2001 18:44:20 -0800
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VOLUNTEER OPPORTUNITY

If you love literature, if the idea of employing technology and new
media to advance poetry and the spoken word appeals to you, please consider
lending the EEC a hand. As our programs develop and expand, so too does
the need for volunteers.

If you are interested helping to develop this exciting, cutting edge
endeavour and able to contribute your skills and talent, please contact Executive
Director, Heather Haley: (604) 535-8588, or email: hshaley@xxxxxxxxxxx

THE EDGEWISE ELECTROLIT CENTRE is a non-profit literary arts
organization whose mandate is to make poetry accessible to all members
of society through a variety of media and educational programs. Since
1994, we have bridged the digital divide and employed technology to
widen the audience
for Canadian poetry and spoken word. We provide poets, multi-media
artists, youth and the public with a forum and the opportunity to use,
learn and create via technological means. Our three main current
programs are the live and interactive videoconferenced reading series,
telePOETICS©, the EEC web site and e-zine, the Edgewise Café, and the Vancouver
Videopoem Festival, all of which lend visual impact to the word and help
raise the profile of Canadian poets and poetry.

The Edgewise aims to demystify and expand technology and new media. We
also encourage experimentation with electronic media in the literary
arts and function as a research site as well, to observe how art and media
interact, to explore technology and aesthetics.

The Edgewise ElectroLit Centre's "visionary" programs have been covered
by the Bravo Arts Channel, the CBC, VTV, CTV, and featured in articles
in Arts Vancouver, the Loop, Courier, Vancouver Sun, Province, Georgia
Straight and Globe & Mail newspapers.

Heather Haley-Executive Director
Edgewise ElectroLit Centre
The EEC is a non-profit organization whose mandate is to make poetry
accessible to all members of society through a variety of media and educational
programs.
www.edgewisecafe.org
PH (604) 535-8588
FAX (604) 536-3691

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