ANNOUNCING WEBCASTS LIVE FROM TATE MODERN THIS WEEK:

http://www.tate.org.uk/modern/programmes/webcasting/
< sincere apologies to anyone who receives this more than once, or receives this in error > < if you no longer wish to receive email about Tate Modern Webcasting, please email the Webcasting Curator: honor.harger@xxxxxxxxxxx > 
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* PIPILOTTI RIST - FOURTH WALL *
http://www.tate.org.uk/modern/programmes/webcasting/live.htm
Tuesday 18 September
1730 - 1900 [ GMT ]
1930 - 2100 [ Central European Time ]
The lush, MTV-style aesthetic of Pipilotti Rist's internationally acclaimed video installations presents for many a new, embodied post-identity politics of the gaze. In this discussion, Rist will be joined by editor and critic Gilda Williams and art historian and critic Elizabeth Janus to talk about her views on the body, pleasure, crowds and the city, looking especially at her outdoor installations in New York and for Fourth Wall at the National Theatre in London. 

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* IMMANENT CHOREOGRAPHIES: DELEUZE AND NEO-AESTHETICS *
http://www.tate.org.uk/modern/programmes/webcasting/live2.htm

Friday 21 September & Saturday 22 September
1000 - 1730 [ GMT ]
1200 - 1930 [ Central European Time ]
The writings of Gilles Deleuze, and his collaborations with Félix Guattari, have had a major impact on theory and practice in many disciplines. This two-day event, a series of presentations and performances, will bring together an international range of contributors to consider some of the ways in which Deleuze's thought has been taken up and put to work in different media and art forms. It sets out to explore the power of Deleuzian neo-aesthetics, and also its limits. To what extent has it transformed the production and reception of contemporary art practices? What is at stake, artistically, politically and philosophically, in the adoption of Deleuze by such practices? The conference is divided into six sessions. 

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* OVAL + SCANNER + KIM CASCONE
http://www.tate.org.uk/modern/programmes/webcasting/live3.htm

Friday 21 September
1830 - 2030 [ GMT ]
2030 - 2230 [ Central European Time ]
Performances by three major contemporary electronic musicians, Oval, Scanner, and Kim Cascone complement the conference. - Scanner - British sound artist, Robin Rimbaud - creates absorbing, multi-layered soundscapes that twist technology in unconventional ways. - Oval - German sound sculptor, Markus Popp - explores the process and systems behind the design of electronic music. Popp has developed his own software, Oval Process, which manipulates looping sound samples. - American electronic musician Kim Cascone works at the intersection between academic computer music and contemporary digital listening. 


ABOUT FORTHCOMING EVENTS
For more details, and a full programme of future webcasts, visit:<http://www.tate.org.uk/modern/programmes/webcasting/timetable.htm>. 


TECHNICAL DETAILS
If you haven't experienced Tate Modern's webcasts before, please visit our technical help page: <http://www.tate.org.uk/modern/programmes/help.htm>. Until the webcast begins at 1730 GMT on Tuesday 18 September, there will be no live audio or video available. 


FEEDBACK
If you would like to ask the presenters questions, please email them to the Webcasting Curator <honor.harger@xxxxxxxxxxx>, who will endevour to deliver them. Qualitative feedback that will help shape the character of live webcasts from Tate Modern in the future is always appreciated. 


MORE INFORMATION:

For more on webcasting, and a programme of future webcasts contact:
Honor Harger, Webcasting Curator, Interpretation & Education, Tate Modern
Email: honor.harger@xxxxxxxxxxx
PH: (44) 020 7401 5066
URL: <http://www.tate.org.uk/modern/programmes/webcasting>


For more information about Tate or getting tickets for events:
Tate Ticketing
Email: tate.ticketing@xxxxxxxxxxx
PH: (44) 020 7887 8888
URL: <http://www.tate.org.uk>


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