(Xchange) TAZ: TACTICAL AUTONOMOUS ZONE & T\LT Symposium Schedules
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Subject |
(Xchange) TAZ: TACTICAL AUTONOMOUS ZONE & T\LT Symposium Schedules |
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From |
zina kaye <zina@xxxxxxxxxxxx> |
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Date |
Mon, 08 Oct 2001 08:40:54 +1000 |
<x-html><html>
Hello Xchangers, Particularly those of you in Asutralia.:<br>
<br>
Hope you are all well. by now you've probably been hearing the rumblings
about the dLux futurescreen event called TILT - a great big tactical
media event. 8-20 October -
<a href="http://www.dlux.org.au/tilt/"; eudora="autourl">http://www.dlux.org.au/tilt/</a><br>
<br>
In the foreground are live events, film nights and a conference.
<br>
<br>
Behind the scenes is a meeting, and it's very important because here are
where all the delegates from australia and overseas will gather
informally. We're planning a kind of sublimation into groups to share
expertise so that people like you have the opportunity to finish any
works that you have started already, or you can offer some of the
expertise you've gathered in the last year or so.<br>
<br>
This will also be your chance to meet Rasa Smite and Raitis Smits -
those famed individuals from the xchange streaming media collective.
<br>
more information about that at
<a href="http://xchange.re-lab.net/"; eudora="autourl">http://xchange.re-lab.net</a><br>
<br>
Looking forward to seeing you there...... schedules of the TAZ and the
symposium below, but for full details of all the events, please check out
the website :
<a href="http://www.dlux.org.au/tilt/"; eudora="autourl">http</a>:/<a href="http://www.dlux.org.au/tilt/"; eudora="autourl">/www.dlux.org.au/tilt/<br>
<br>
</a>Zina<br>
T\LT Reality Checker<br>
<br>
<font size=2> <br>
__________________________________________________________________________________________________________<br>
<br>
TAZ: TACTICAL AUTONOMOUS ZONE <br>
++++++++++++++++++++++++++++++<br>
level 2, 111 campbell st, surry hills<br>
12pm-<br>
<br>
imperial slacks configured as a space conducive to the expression, <br>
investigation and continuation of concepts indicated or highlighted by
the T\LT symposia <br>
[ nice.people nice.place hang.out ] <br>
<br>
An hermetic laboratory for the execution of tactical designs and actions
<br>
[ suspend.rulesets ] <br>
<br>
a claypot of infection \ transmission of <br>
skills and ideas <br>
[ chat.gossip ] <br>
<br>
continuing investigation of project based work & hybridisation of
modes and players [syntactical error ] <br>
<br>
reflexive dry zone <br>
[ listen to music ] <br>
<br>
network and basic tools available <br>
[ .. checking mail ] <br>
<br>
[ apologies h.bey ] <br>
Workshops, talks uploads, downloads, join in_get tilted <br>
<br>
<br>
Here is the list of players bringing you the hardware/software/leisure
wear to help make the TAZ <br>
a space for you and for all, to develop, interact, learn. <br>
<br>
Workshops at times specified below, with other stuff evolving in the
spaces between. <br>
<br>
TAZ <br>
STARTS HERE <br>
++++++++++++++++++++++++++++++<br>
Wednesday <br>
++++++++++++++++++++++++++++++<br>
13:00 Blessing & Introduciton Introductory meeting for all
participants of TILT, at the Temporary Autonomous Zone, Imperial Slacks,
etc that means you ! Includes information gathering, recruiting units and
starting the sublimation process. <br>
<br>
14:00 Recruit units: information gathering, identify skill base, outline
actions & projects that Players would like to accomplish. <br>
<br>
15:00 Deborah Kelly: Necessity is the Mother of Intervention: <br>
Practical troublemaking in 3 parts. <br>
-->1. An informal meeting to discuss & exchange ideas about what's
burning right now and thinking through how we might approach issues. How
to make dissent visible, how to intervene powerfully and connect with
culture/mass audiences. (Participants could also bring relevant things
<br>
to show). <br>
<br>
17:00 Partha Pratim Sarker_Bytes For All_ will conduct a discussion
around the Bytes for All project, a voluntary online initiative from
South Asia. How it was initiated and how it has developed very quickly
into a major meeting and exchange point for activists, artists, writers,
programmers and others in the South Asia region.<br>
<br>
++++++++++++++++++++++++++++++<br>
Thursday <br>
++++++++++++++++++++++++++++++<br>
<br>
13:00 Second Introductory meeting for all participants of TILT, at the
Tactical Autonomous Zone, that means you ! Includes --> information
gathering, recruiting units and starting the sublimation process.
mobilizing units : engage with projects, develop deployment. <br>
<br>
14:00 Zina Kaye: Manufacturing T/LT$HOP: conceptual & technical
specifications for micropayment gallery for artivists, develop &
negotiate framework, and executive team. <br>
<br>
15:00 Rasa Smite & Raitis Smits <br>
RIXC activities are devoted to streaming media development and exploiting
its potential in building strong links with other organisations locally,
in the region, and on an international plane. <br>
<br>
17:00 Deborah Kelly: Necessity is the Mother of Intervention: Practical
troublemaking.-->2. Brainstorm & create artifacts of resistance
using the technology at our disposal. <br>
<br>
19:00 Chawan Mushi are Oren Ambarchi + Martin Ng <br>
molecular turntablism + iconoclastic instrumentation. <br>
<br>
++++++++++++++++++++++++++++++<br>
Friday <br>
++++++++++++++++++++++++++++++<br>
13:00 Deborah Kelly: Necessity is the Mother of Intervention: Practical
troublemaking. --> Third: we take on board the responses, and alter as
necessary to make the work make sense to bigger audiences than ourselves.
Figure out social infection vectors/plans for distribution. <br>
<br>
15:00 Felipe Rodriquez: <br>
-->PGP Encryption. Why does an activist need to protect his Email
communication ? What is Echelon ? How to protect against communications
surveillance ? How to install and use PGP encryption technology to help
secure Email communication ? Felipe Rodriquez has been using PGP
encryption technology since the early nineties to secure their Email.
What about you ? <br>
++++++++++++++++++++++++++++++<br>
YOU WILL BE AT THE SYMPOSIUM ON FRIDAY NIGHT FROM 6:30, ALL DAY SATURDAY
AND SUNDAY, AND MONDAY YOU MIGHT BE AT A PICNIC <br>
<br>
....or planning to write that elusive code that programs all spaces
untouched in built up environments, or you might be at Bronte lying on
the beach <br>
++++++++++++++++++++++++++++++<br>
Tuesday <br>
++++++++++++++++++++++++++++++<br>
13:00 Rachel Baker: A practical and conceptual introduction to 'Gateways'
<br>
--> Given a social network and a communications medium for that
network what happens when you introduce other mediums and communication
tools? What happens when you combine FM Radio, with Internet and SMS? The
outcome is dependent on the social uses of these technologies and the
specific needs of the community or social network in question. I will
look at examples such as the pirate radio community in the UK and
football fans. <br>
<br>
++++++++++++++++++++++++++++++<br>
Wednesday <br>
++++++++++++++++++++++++++++++<br>
<br>
13:00 Francesca da Rimini + Jimmy Letraset: The Age of the 'Zine and how
to make a scene, clip art fantasies coupled with 5 point typography.
<br>
<br>
15:00 Ann Morrison: An introduction to The Word:The Wall, a predominantly
text-based interactive on-line work that operates within a specific
environment, built to heighten the performative aspects of virtual
interactions. The standard MOOVE architecture has been redesigned and
reprogrammed to utilize the arbitrariness of disrupted and disruptive
narrative. The wall is for writing on, and the room repeats the messages
in random sequences. The Wall dictates, generating a code to work within
and against. In this environment Foucault's idea that the word is an
active agent is taken to the extreme. <br>
<br>
++++++++++++++++++++++++++++++<br>
THURsday <br>
++++++++++++++++++++++++++++++<br>
13:00 Ricardo Dominguez: will present different hacktivist tools and
projects. How they were used by different communities and the response by
.mils, .govs, and .coms to them. <br>
<br>
15:00 Zina Kaye: Scanner ABC. <br>
Tired of the reception on your television or radio ? Find out what other
people <br>
are saying by twiddling the knobs on a radio scanner. A brief workshop
that will give you some basic skills and lots of time to comb the
airwaves. <br>
<br>
++++++++++++++++++++++++++++++<br>
Friday <br>
++++++++++++++++++++++++++++++<br>
<br>
13:00 David Teh: What is fibreculture? Fibreculture is a forum for the
exchange of articles, ideas and arguments on Australian net and IT policy
in a broad, cultural context. it concerns the philosophy and politics of
<information and creative industries> <national strategies for
innovation, research and development> <education> <media>
and<arts> fibreculture is committed to the building of
digital/critical publics, the widening and deepening of public space, and
public discourse (on-line and off-line)
<a href="http://www.fibreculture.org/"; eudora="autourl">www.fibreculture.org</a>
<br>
<br>
<br>
14:00 Marko Desiirius + Agnese : Beat Your Own Time: Underground Culture and Squatted Community Centers in Italy --> The workshop will focus around languages and representational strategies used by Italian social movements over the last thirty years. From the 1968 to the crisis of militance in 1977, the punk experience of the early 80s, and the squatted community centers of the second half of the decade. These movements share codes and media including video-activism, community radios, fanzines and underground comix, music and hacking practices. <br>
<br>
++++++++++++++++++++++++++++++<br>
Saturday <br>
++++++++++++++++++++++++++++++<br>
<br>
13:00: Today is Unprogrammed, why not spend time putting the fininshing touches on your subvertisememnt for tonight's competition at [C.C] Cinema Concrete. Or maybe get that manifesto for beach activism together, catch you later, but not that much ;-) <br>
<br>
FINISH <br>
HERE ;-) <br>
++++++++++++++++++++++++++++++<br>
SYMPOSIUM_ <br>
12,13+14/10 <br>
TALKING TACTICS <br>
++++++++++++++++++++++++++++++<br>
UNSW <br>
COLLEGE OF FINE ARTS <br>
++++++++++++++++++++++++++++++<br>
AUS$120/55 CONC. DAY RATE $50/20 <br>
++++++++++++++++++++++++++++++<br>
<br>
6.30pm - 7.00pm Registration <br>
7.00pm Official welcome and introduction <br>
7.15pm Paula Abood [Aus] <br>
8.00pm Deborah Kelly [Aus] <br>
8.45pm Steve Kurtz_Critical Art Ensemble [USA] <br>
Followed by drinks <br>
<br>
10.00am Welcome and introduction <br>
10.10am ®TMark (USA ) <br>
<br>
11.00am - 1.30pm Panel 1 : Same Same Different, Different? <br>
Chair: Panos Couros <br>
Jenny Austin (Aus), Partha Pratim Sarker, (Bangladesh), <br>
Chea Sundaneth_Womens Media Centre of Cambodia, Rasa Smite + Raitis Smits_RIX-C (Latvia) <br>
<br>
1.30pm - 2.30pm LUNCH <br>
<br>
2.30pm Marco Deseriis (Italy) <br>
<br>
3.20pm BREAK <br>
<br>
3.30pm - 6.00pm Panel 2 : Poisoned planet, waste not, want not ? <br>
Chair: Julie Nimmo <br>
Kevin Buzzacott_Keepers of Lake Eyre (SA), Ricardo Dominguez_Electronic Disturbance Theatre (US), <br>
John Hodge_SchNEWS (UK ), Rebecca Bear Wingfield + Nina Brown_Irati Wanti (SA) <br>
<br>
<br>
10.00am Welcome and introduction <br>
10.10am Felipe Rodriquez (NSW) <br>
<br>
11.00am - 1.30pm Panel 1 : The Net: Surveilled beat, shopping mall, or graffiti wall? <br>
Chair: Julianne Pierce <br>
Irene Graham_Electronic Frontiers Australia (QLD), Mark Gunderson_Evolution Control Committee (USA), <br>
Scot McPhee_Autonomous.org (NSW), Kerry Nettle_The Greens (NSW) <br>
<br>
1.30pm - 2.30pm LUNCH <br>
<br>
2.30pm Ricardo Dominguez [USA] <br>
<br>
3.20 BREAK <br>
<br>
3.30pm - 6.00pm Panel 2 : Sabotaging the New World Order <br>
Chair: Josephine Starrs <br>
Rachel Baker_irational.org (UK), Steve Kurtz_CAE (USA), ®tMark (USA), <br>
Marcus Westbury (NSW) <br>
<br>
6:30pm_ Registration <br>
<br>
<br>
SYMPOSIUM <br>
TALKING TACTICS <br>
FRIDAY 12/10 <br>
<br>
6:30-9:30pm <br>
PRESS RECORD NOW <br>
<br>
7.15pm_Paula Abood_Aus <br>
The Day the World Didn't Change <br>
The Western media has never been able to represent the politics of the Other without resorting to the usual orientalist and overtly racist images and texts. Since 11 September, or in mediaspeak The Day The World Changed, those images have taken on renewed fervour and meaning that posits Arabs, Islam and all other peoples of middle eastern appearance' as The Enemy Within and Without. How is it possible to speak back to this predatory politics that encourages the firebombing of mosques in downtown multicultural Australia? <br>
<br>
8.00 pm_Deborah Kelly_Aus <br>
Necessity is the Mother <br>
I'm writing this to you from the past. Here, there are rumours of war and prophesies of apocalypse. By the time TILT opens, everything will be different. I'm trying to imagine peace for you there, in the future where you are. If sense prevails, we won't have to gather all our energy, strategy, hope and inspiration to crack open the darkening world. But, otherwise... <br>
<br>
8.45pm_Steve Kurtz_Critical Art Ensemble_USA <br>
Contestational Biology <br>
The current neo and endo-colonial initiatives by corporations attempting to consolidate the food chain and its markets from the molecular level on up presents anti-capitalist activists with a new biological front that requires a new set of tactical responses. In this lecture, Critical Art Ensemble will present a model through which biological resources can be marshalled for resistant purposes. <br>
<br>
SYMPOSIUM <br>
TALKING TACTICS <br>
SATURDAY 13/10 <br>
<br>
10-6pm <br>
INSERT NEW TAPE <br>
10.10am_®TMark_USA <br>
This presentation will provide a brief overview of past ®TMark sponsored projects, and look at exciting future projects that are in need of workers or sponsors. <br>
<br>
11.00am - 1.30pm_Panel 1 >> <br>
Same Same Different, Different? <br>
The positive side of globalisation: dynamic media centres and networked infrastructures have come forth from distinct circumstances in Australia and around the globe. Emerging from the diaspora, these networks and systems have bypassed often oppressive dominant cultures to create dynamic and effective information systems. This session also includes the soft launch of KulturaNet, Australia's first national database for multicultural artists. <br>
<br>
<br>
Chair: Panos Couros <br>
Jenny Austin (Aust), <br>
Partha Pratim Sarker (Bangladesh) <br>
Rasa Smite and Raitis Smits_RIX-C (Latvia ), Chea Sundaneth (Cambodia) <br>
<br>
<br>
Partha Pratim Sarker_Bytes For All_ will conduct a discussion around the Bytes for All project, a voluntary online initiative from South Asia. How it was initiated and how it has developed very quickly into a major meeting and exchange point for activists, artists, writers, programmers and others in the South Asia region. <br>
<br>
<br>
Chea Sundaneth_Womens Media <br>
Centre Cambodia_Peace, democracy, political participation, women's and children's rights are still radical ideas in Cambodia but the Womens Media Centre of Cambodia is successfully "normalising" them via the state-controlled mainstream television and radio. <br>
<br>
<br>
<br>
Jenny Austin_has been a print, radio and tv journalist for around 20 years. She has also specialised in social justice through cross-cultural projects in Aboriginal and Filipina communities in Australia. She worked with the Womens Media centre in Cambodia for two years, as a volunteer, assisting them with all aspects of their work in social reform. <br>
<br>
<br>
Rasa Smite and Raitis Smits_RIX-C "BUILDING A LARGE NETWORK <br>
FROM NOTHING" <a href="http://re-lab.net/"; eudora="autourl"><u>http://re-lab.net</a></u> <br>
The E-lab, founded in 1996, working in micro-scale level as an independent organisation, soon expanded into a network of project-based organisations, and in 2000 the Centre for new media culture "RIXC" in Riga was established. Started in 1997 with net.radio OZONe, E-LAB quickly developed itself into a pioneer of 'net.radio'. Therefore the main field of RIXC activities are devoted to streaming media development and exploiting its potential in building strong links with other organisations locally, in the region and on <br>
an international plane. <br>
<br>
RIX-C current co-projects: <br>
- "borderland.tv" - local co-project with K@2 that aims to create ties between the Russian "aliens" left over from the soviet period and the Latvians (<a href="http://borderland.org/"; eudora="autourl"><u>http://borderland.</a><a href="http://borderland.org/"; eudora="autourl">org</a></u>) <br>
- NICE Network - for supporting development of emerging media labs in the region of North-East Europe (<a href="http://nice.x-i.net/"; eudora="autourl"><u>http://nice.x-i.net</a></u>) <br>
- XCHANGE net.audio network project ACOUSTIC.SPACE LAB - Symposium and <br>
International Research Programme on sound art, radio and satellite technologies (<a href="http://xchange.re-lab.net/"; eudora="autourl"><u>http://xchange.re-lab.net</a></u>) (<a href="http://acoustic.space.re-lab.net/"; eudora="autourl"><u>http://acoustic.space.re-lab.net</a></u>) <br>
<br>
2.30pm-3.20pm_Marco Deseriis_ Italy_Mythopoietic strategies and simulative tactics against the G8 narrative Genoa, 20 of July, 2001, The Empire and a diverse network of rebels within a fortified city divided into concentric zones. The G8's stage was largely prefigured as a media narration, long before it was even materially set up. The presentation will deconstruct these elements by analyzing the building of a counter-narration by the demonstrators. <br>
<br>
3.30pm - 6pm _Panel 2 >> <br>
Poisoned earth - waste not, want not ? <br>
Visioning a sustainable planet - exploring tools and tactics to combat crimes against the land. Evidence from individuals + organisations who have impacted positively on local and global environmental transactions through tactical coordination. <br>
<br>
<br>
Chair: Julie Nimmo <br>
Kevin Buzzacott (SA) <br>
Ricardo Dominguez (USA) <br>
John Hodge (UK) <br>
Irati Wanti (SA) <br>
<br>
Ricardo Dominguez_ (EDT) uses hacktivism_EDT has also attempted to inject the organic into technical infrastructures as part of a new performative matrix. The net.performance of Electronic Disturbance Theater (EDT) uses hacktivism as a form of interhacktivity, a type of activism that targets technical infrastructures as <br>
a way of hacking the social <br>
groups attached to them. <br>
<br>
<br>
We are the Kupa Piti Kungka Tjuta,Senior Aboriginal Women of Coober Pedy, South Australia. We are Aboriginal Women, Antikarinya -Yankunjytjatjara and Kokatha. We know the country. The poison the Government is talking about will poison the land. We say "NO radioactive dump in our ngura - in our country. It's strictly poison and we don't want it." <br>
<br>
Irati Wanti; Rebecca Bear Wingfield + Nina Brown_Our message is simple, clear, strong and true. Irati Wanti [the poison -leave it]. We are developing tools of 21st century learning necessary for global survival. We are campaigning both at macro and micro community levels to communicate the responsibilites of Anangu [Aboriginal] people as custodians of the land and the tjukur [law].We are undertaking a dynamic learning process that validates what Aboriginal people have known for many centuries. That theIrati [poison] would kill and to not go there, to leave it in the ground. <a href="http://www.iratiwanti.org/"; eudora="autourl">www.iratiwanti.org</a> <br>
<br>
<br>
John Hodge_"Cutting through the bullshit of representation": People have a taste for infotainment these days Diana, or the Twin Towers - they love a spectacle. Perhaps they don't see that the real news? is the most spectacular disaster stories of all - like Olympic Dam or global warming? So, in the effort to reach people's hearts <br>
- let's have a propaganda war <br>
with endless showstoppers in print, <br>
web and on the street. <br>
<br>
Keepers of Lake Eyre_Kevin Buzzacott <br>
'Lake Eyre is calling - Ankaku, for life. It all comes back to the uranium. We always warned you to leave it where it was in its natural state, where it is safe in the ground. Our stories teach us of its dangerous energy. Now we're left with your waste and you don't know what to do with it. You don't care about us and our land. You don't care that we carry the wisdom of one of the oldest cultures in the world.' - Words from Arabunna elder and peacemaker, Kevin Buzzacott, to the Australian Government in 1998. In the past four years, Kevin has taken court actions at State and Federal levels, led rallies and actions, had his words and strategies documented in books, articles and videos to bring his message of peace to Australia and to the world. 'Whatever it takes to break through for peace' says Kevin, 'I am seriously saddenned that our sacred substance and our sacred waters are being used in depleted uranium to make the missiles that may be used to attack Afghanistan. What does it take to break through for peace? <br>
<br>
SYMPOSIUM <br>
TALKING TACTICS <br>
SUNDAY 14/10 <br>
<br>
10-6pm <br>
FAST FWD >> <br>
<br>
10.10am_Felipe Rodriquez (NL/AUS) <br>
Activists and Spooks_Activist groups involved in protesting globalisation or government activities can become targets of intelligence services through infiltration, observation and collection of communication data. What kind of data is collected ? How do security agencies recruit infiltrators ? How do infiltrators work ? How do they make themselves popular ? Why activists are their targets ? <br>
<br>
<br>
11.00am - 1.30pm_Panel 3 >> <br>
The Net: Surveilled beat, shopping mall, or graffiti wall? <br>
Focussing on the complexity surrounding legislation & censorship on the Internet. Who writes the rules + how can we enable a future in the networld (dis)order ? <br>
<br>
Chair: Julianne Pierce (AUS) <br>
Irene Graham (Aus) <br>
Mark Gunderson (USA) <br>
Scot McPhee (NSW) <br>
Kerry Nettle (NSW) <br>
<br>
<br>
Irene Graham_The State of Censorship <br>
Irene will provide an overview of Australian Internet censorship laws: Federal laws requiring Australian ISPs to remove Net content as a result of a single complaint and existing and impending State/Territory laws criminalising people who make content deemed unsuitable for children available on the Net. Australia is the first "Western democracy" to enact such laws and much of the material deemed illegal to publish in Australia is protected speech in other countries. Can Australian governments effectively restrict Australian citizens' freedom of expression on the world-wide Net? If so, should they? <br>
<br>
<br>
Mark Gunderson_Evolution Control Committee_ Motto: Copyrite violation for the nation.The ECC deals with the budding field of media ecology, recycling the sounds, images and ideas around you. Nearly sued for sampling Dan Rather. ECC will discuss the legality and morality of using samples of copyrighted materials. <br>
<br>
<br>
Scot McPhee_Refused Classification. <br>
I will be talking about refused classification <a href="http://autonomous.org/"; eudora="autourl"><u>http://autonomous.</a><a href="http://autonomous.org/"; eudora="autourl">org</a></u> /refused/ ), which is a somewhat-artistic provocation against government censorship laws. I will also address the broader aspects of network structures (technical, economic, social) and how these affect various forms of online speech. <br>
<br>
<br>
Kerry Nettle _The Greens_ <br>
Internet activism is changing the way The Greens are doing their political campaigning. One third of Green voters are under the age of 30. To get the Green message to these voters, The Greens are using viral media, launching an activist toolbox on our website + organising demonstrations via email. <br>
<br>
2.30pm Ricardo Dominguez_ <br>
Hacktivismo: A Play in 3 Scenes. <br>
The Electronic Disturbance Theater has been pushing the possibility of code politics and street activism mirroring each other via digital zapatismo. Digital zapatismo is an electronic gesture that moves network ontology from its binary space of communication and archiving - to a theatrical strike zone for mass non-violent direct action on-line. This has allowed EDT <br>
to create dialogue between net.hackers, net.activist, and net.artists about a performativity which is not <br>
digitally correct: hacktivism. <br>
<br>
<br>
3.30pm - 6pm Panel 4 >> <br>
Sabotaging the New World Order <br>
Crime or credible practice __ media makers/activists/guerilla communicators don't limit themselves to the 'alternative' or 'underground', but see the vast media landscape as their political playground. The events of September 11th have made dissent more difficult. What are some directions, strategies and tactics for the future? <br>
<br>
Chair: Josephine Starrs (AUS) <br>
Rachel Baker (UK) <br>
Steve Kurtz (USA) <br>
®TMark (USA) <br>
Marcus Westbury (NSW) <br>
<br>
<br>
®TMark_Tactical Embarassment Made Easy <br>
Many of the subversive actions ®TMark <br>
has supported critique of powerful organizations and public figures using "Tactical Embarassment" to publicly humiliate them, forcing them to change their approach or cancel their anti-human activities. Tactical Embarassment is easy, and this lecture will deliver a basic blueprint for how it has worked in the past for RTmark in battles with George W. Bush, eToys.com, Bloomberg.com, and the World Trade Organization; and <br>
most importantly, how it can work for <br>
you in the future. <br>
<br>
<br>
Rachel Baker_Irational.Org is an independent artserver and virtual home/office/studio for a small collection of individual artists working with social technology. My recent projects have been concerned with providing specific groups or communities with technological gateways ie on line and sms tools, which can potentially rearrange the political dynamics of those groups.The question is how do you introduce these tools to these groups, and how do they respond? <br>
<br>
<br>
<br>
Steve Kurtz_CAE_This panel statement will consist of tactical considerations regarding the disruption of data production in transgenic field testing. The goals are to design efficient, precision targeted methods that are inexpensive and simple to do, and to identify specific points of intervention in the data production process that are the most vulnerable to corruption. <br>
<br>
<br>
Marcus Westbury_Having dabbled in politics, media, arts, and activism Marcus Westbury is suspicious of revolutionaries, buzzwords, Americans, marxists, and movements. Marcus will question the lot, and provide the answer to eternal questions such as "What happened before the big bang?" "Did Elvis really die?" and "How many angels can dance on the screen of a laptop." <br>
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From: "Garrett Lynch" <garrett_44@xxxxxxxxxxx>
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Subject: (Xchange) "A virtual memorial" October / "A virtual memorial" Octobre
Date: Mon, 08 Oct 2001 23:49:47 +0200
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Hello everyone
Proud to announce that I have been choosen as featured artist of the month
for October on ...
"A virtual memorial"
http://www.a-virtual-memorial.org/
with my work ...
"For those who fear Intimacy / for those who fear loneliness"
http://www.intimacyandloneliness.f2s.com/
"A virtual memorial" is an online exhibition space curated by Wilfried
Agricola de Cologne. It features different artists working worldwide in the
domain of new media on the broad theme of memory/commeration. The site
changes each month with new works and texts added, a featured artist section
as well as initiated works caused by any current events happening in the
world.
Below is the newsletter of a virtual memorial with its list of new items and
an especially important call for works to "A Memorial for the victims of
Terror", initiated due to the chain of events which have occured since the
11th of september. For any of you working in the field of new media/art and
with an interest in ether political statement (for or anti) or work with
themes of world events, we would encourage you to participate in whatever
way you can, no matter how small!
+-----------------------------------------------------------+
+-----------------------------------------------------------+
Salut tous
Contente a vous dire j'ai ete choisi pour artiste de la mois en octobre sur
le site ...
"A virtual memorial"
http://www.a-virtual-memorial.org/
avec mon projet ...
"For those who fear Intimacy / for those who fear loneliness"
http://www.intimacyandloneliness.f2s.com/
"A virtual memorial" est un espace de exhibition en line cree par Wilfried
Agricola de Cologne. Il contene le projets de differents artistes qui
travaille dans le monde entier dans le domaine de nouveau media sur le theme
de memoire/commemoration. Le site change chaque mois avec de nouveau
projets et textes ajouter, un artiste selectione pour le mois et des
differents projets commence par de different evenements dans le monde.
En sous est le 'Newsletter' de "a virtual memorial" avec son liste de
nouveau choose pour octobre et un tres importante appel au travail pour "A
Memorial for the victims of Terror", un espace cree a cause de l'evenements
depuis le 11 de septembre. Pour vous qui travail dans le domaine de nouveau
media/art et avec un intereste en politic (pour ou contre) ou travail avec
le themes de evenements dans le monde, actualite, on vous encourage a
participe dans cette espace dans votre moyen.
+-----------------------------------------------------------+
+-----------------------------------------------------------+
>A Virtual Memorial Newsletter October 2001
>www.a-virtual-memorial.org
>info@xxxxxxxxxxxxxxxxxxxxxx
>
>Visit the Memorial project!
>
>*0. Selected Memorial days
>*1. Features of the Month
>*2. Featured artist of the Month
>*3. Featured Project of the Month
>*4. Contribute to "A Memorial for the victims of Terror
>*5. News
>*6. Actual deadline list
>
>
>0. Selected Memorial days
>*2 October 1869 Mahadma Ghandy Birthday (India)
>*3 October 1990 Signing of the German Reunification
> Treaty (Germany)
>*8 October 1912 Begin of 1st Balkan War (Europe)
>*24 October 2001 United Nations Day
>
>1. Features of the Month
>The Features of the Month are monthly changing
>collections of multimedia works and links which form in the
>totality of the composition an artwork of theirown
>to be created on a webpage of theirown
>within the Memorial project.
>
>***Subject of the Month is
>Solitude - between inspiration and depression
>
>2. Featured Artist
>Garrett Lynch - his project:
>**For those who fear intimacy / for those who fear loneliness**
>can be viewed as part of Features of the Month
>
>3. Featured Project:
>***The Artist and his studio***
>collaborative project including following artists:
>Romano Abate, Aguila, Antonio Sassu, Igor Ulanovsky
>John Abrams, Dirk Coster, Florin Piersic, ERP, Judson Wright, Fernando
>Llanos, Richard Ellis, Stanza, Jürgen B. Brugger, Martin Baldock, Cornelia
>Heier, Oleg Tchebunin
>Krautscheid Bosse, Georg Mankat, Artur Augustynovicz
>Vanja Pagar, Vittorio Bacelli, Ryosuke Cohen, Max Herman, Michael Tice,
>Josip Ivancic, Mikhael Priorov
>Ansgard Thompson, David Brooker, Margaret Hunter
>Maria Sigova, Wolf Muschall, Elisabeth Sepi-Ochsenfeld
>Peter Heydeck, Igor Stevanovic, Harriett Jameson Pellizzari, Ars Longa,
>Ijosé Benin, Jader UOL, Agricola de Cologne, Edward Fillmore, Jürgen Bysard
>Adams
>Reem Hassan, Frim Parado, Fatima Lasay, ERKI
>Christina McPhee, Annett Zinsmeister, Ghislave Sosnowski, Moataz el safti,
>I
>love you
>
>4. News
>In October 2001
>a) A Virtual Memorial participates in
>Computer Space 2001 Festival Sofia (Bulgaria)
>b) Different video works originating from A Virtual Memorial participate
>in
>DMF2001
>Digital Media Festival 2001 Manila (Phillippines)
>c) experimental poetry works originating from A Virtual Memorial
>participate
>in
>2nd Interpoetry Exhibition Sao Paolo (Brazil)
>
>5. Call for submissions
>Artists are invited to send their contributions to
>**A Memorial for the Victims of Terror**
>initiated in connection with WTC terror in September.
>Submit one single work: image (.jpg), URL (net based work) or text (email
>or
>.txt file)
>and send it to september11@xxxxxxxxxxxxxxxxxxxxxx
>visit the Memorial on www.a-virtual-memorial.org
>
>6. Actual deadline list
>See the actual deadline list on
>www.a-virtual-memorial.org/calls/calls.htm
>and participate!
>
>Wilfried Agricola de Cologne
>info@xxxxxxxxxxxxxxxxxxxxxx
>A Virtual Memorial -
>Memorial project against the Forgetting and for Humanity
>www.a-virtual-memorial.org
>corporate member of NewMediaArtProjectNetwork
+-----------------------------------------------------------+
a+
Garrett
+-----------------------------------------------------------+
Garrett@xxxxxxxxxxx
http://www.asquare.org/
http://www.intimacyandloneliness.f2s.com/
http://www.playpause.f2s.com/
+-----------------------------------------------------------+
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